Industrial areas are places that offer large spaces and easy access, characteristics that now seem to be impossible to find in more consolidated urban areas.   It is not surprising that  both retail traders and offices are setting up business in these areas, in an increasingly marked transition of industrial space towards the tertiary sector.

Spaces that can be generated by adapting old industrial buildings represent an inevitable chance for both owners and businesses, as for architects and designers. An example of this is the project for Sedka Novias carried out by Pablo Muñoz Payá, the Alicante architect studio established in Petrer.

The project to reform the original building, which consisted of a basement and an open plan space of the height of two floors, involved the transformation of this into a building of three floors which house a program of uses for both sales and internal work.  Thus, the new building, distributed over a basement , ground and first floors, is seen through these new levels and the connection between them.  This is achieved with a helicoid staircase inserted in the large central void, the staircase almost 8 metres in diameter being without doubt one of the great singularities of this project.  This central opening, which required the alteration and reinforcement of the original horizontal structure, culminates in its zenith in a skylight that lets light into the building magnificently, diminishing slightly towards the lower floors.

The basement houses the factory shop, consisting of changing rooms, a generously proportioned storeroom, and a large workroom to carry out adjustments.  The ground floor is dedicated exclusively to women, with a reception area and waiting area, along with changing rooms of different types, storerooms, bathrooms and an area of shop windows.  Finally, the first floor is aimed at men, along with an area for internal work.  This level also has its own reception and waiting areas, changing rooms , storerooms, bathrooms and shop window.

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Source: archdaily

Pictures by David Zarzoso for archdaily